Recalling the Future: Art in Contemporary Africa''
Short summary:
nale of Contemporary African Art provides a platform for the video and much .... valuable for advanced students of contemporary arts of Africa ...
Long summary:
Recalling the Future: Art in Contemporary Africa''Page 1Ijele: Art eJournal of the African World cISSN: 1525447XVol. 2 No. 1 ( 2001)Recalling the Future: Art in Contemporary AfricaJulie L. McGeeA coproduction of Arts in Action Society Canada and Sud Prod Senvision Senegal 2000; Cheike Tidiane Ndiaye Executive ProducerClaudine Pommier DirectorRecalling the Future: Art in Contemporary Africa is a 48minute introduction to practicing artists and current philosophies about the production of art incontemporary Africa.1Filmed during DakArt 1998 the video gives primacyof voice to selected artists and a few critics such as Okwui Enwezor (ArtisticDirector of 1997 Johannesburg Biennale) and Iba Diadji Ndiaye and a fewBiennale board members Remi Sagna General Secretary of the Biennale andOusmane Huchard Chairman of the Board of DakArt 1998. The Dakar Biennale of Contemporary African Art provides a platform for the video and muchof the footage pertains to the exhibits but it would be a mistake to suggestthat this video is about this seminal Biennale the third panAfrican biennialto be held in Dakar.2It is rather as Enwezor remarks an exploration of whatone considers to be contemporary African art and a testament to the diversityof Africas contemporary arts.The video commences with a bold statement: What Africans are producing inAfrica today is not African art. Enwezor Huchard Ndiaye then elucidate theproblems inherent in trying to identify what constitutes contemporary Africanart. Africa is not a monolithic place yet the histories that do bind its diversecountries together cannot be ignored. How does one construct but not constrictidentity? In terms of contemporary African art Huchard expected DakArt1998 to make clear that African art is evolving developing changing builton tradition yet entering modernity with force. This critical and theoreticalintroduction is followed by a series of artists interviews conducted by CheikhTidiane Ndiaye and Nina Ferretti and some concluding rema ...
Source: www.africaresource.com
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